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Five Soundscapes for Acoustic Instruments and Taped Computer Music

Inspired by Chinese poems, the overall characteristics of the work reflect the assimilation of several non-Western musical and philosophical influences such as the use of pentatonic scale patterns, the principle of embellishing a single note, and the application of the I-Ching in dealing with active instrumental passages over a long-sustained computer music drone. Traditional Western compositional techniques such as aleatory counterpoint, serialism, and moment form are also employed in the treatment of thematic material, developmental processes and formal design.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc935784
Date08 1900
CreatorsTseng, Yu-Chung, 1960-
ContributorsWinsor, Phil, 1938-2012, Phipps, Graham Howard, Christian, Jon Nelson
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Format1 score (xlviii, 50 leaves) : ill., Text
RightsPublic, Tseng, Yu-Chung, 1960-, Copyright, Copyright is held by the author, unless otherwise noted. All rights

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