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"How Can We Know the Dancer from the Dance?": Cognitive Poetics and William Butler Yeats's Poetry

Cognitive poetics, the recently developed field of literary theory which utilizes principles from cognitive science and cognitive linguistics to examine literature, is applied in this study to an exploration of the poetry of William Butler Yeats. The theoretical foundation for this approach is embodiment theory, the concept from cognitive linguistics that language is an embodied phenomenon and that meaning and meaning construction are bodily processes grounded in our sensorimotor experiences. A systematic analysis including conceptual metaphors, image schemas, cognitive mappings, mental spaces, and cognitive grammar is applied here to selected poems of Yeats to discover how these models can inform our readings of these poems. Special attention is devoted to Yeats's interest in the mind's eye, his crafting of syntax in stanzaic development, his atemporalization through grammar, and the antinomies which converge in selected symbols from his poems.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc984126
Date05 1900
CreatorsPagel, Amber Noelle
ContributorsHoldeman, David, Peters, John G. (John Gerard), Pettit, Alexander, 1958-
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatvi, 195 pages, Text
RightsPublic, Pagel, Amber Noelle, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved.

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