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Seriality and Domesticity: The Victorian Serial and Domestic Ideology in the Family Literary Magazine

Seriality and Domesticity examines how domestic serials and family literary magazines both reinforced and reshaped domesticity. As a commodity that circulated within the home, family literary magazines had to engage and to appease whole families of readers, men and women, husbands and wives, brothers and sisters, parents and children. Domestic serials were a key component of these magazines appeal to the family. As a space for intellectual debate and education, however, family literary magazines were able to subtly re-view and revise domesticity. I argue that these magazines complicate domestic ideology by espousing a professional, urban sensibility in their shaping of womens and mens roles. Consequently, these magazines and the serials within them grapple with the social changes of the latter half of the nineteenth century, advocating for a domesticity radically different from the myth of separate spheres ideology that informed analysis of the Victorian period so long. Crucially, these texts define masculine and feminine roles within the home, a shaping of domesticity often overlooked in periodical scholarship.
Specifically, my project looks at how four domestic serialsElizabeth Gaskells Wives and Daughters, serialized in the Cornhill from August 1864 to January 1866 with illustrations by George Du Maurier; Margaret Oliphants The Story of Valentine and His Brother, serialized in Blackwoods Edinburgh Magazine from January 1874 to February 1875; Thomas Hardys The Woodlanders, serialized in Macmillans Monthly Magazine from May 1886 to April 1887; and Oscar Wildes The Picture of Dorian Gray, published in one installment in the July 1890 issue of Lippincotts Monthly Magazineengage in or disrupt domestic discourse in the family literary magazine. I situate each of these domestic serials as part of a larger, on-going conversation about class and gender identity that occurs within and between periodicals. I also focus on these four texts and these four magazines as a means of charting the evolution of the family literary magazine and the domestic serial from the 1860s through the 1890s.

Identiferoai:union.ndltd.org:TCU/oai:etd.tcu.edu:etd-05052008-151851
Date05 May 2008
CreatorsLawrence, Lindsy
ContributorsLinda Hughes
PublisherTexas Christian University
Source SetsTexas Christian University
LanguageEnglish
Detected LanguageEnglish
Typetext
Formatapplication/pdf, application/msword
Sourcehttp://etd.tcu.edu/etdfiles/available/etd-05052008-151851/
Rightsunrestricted, I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to TCU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.

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