Return to search

Origin Story: Educators, the Code, and the Making of the Silver Age of Comics, 1940-1971

My dissertation interrogates the role played by teachers, professors, researchers, administrators, and librarians in comics activism in the years before the establishment of the Comics Code Authority. Teachers occupied a unique space: public servants in one sense, subject matter experts in another. At the same time, they were not impervious to the media’s treatment of the anti-comics crusade, nor were they immune to the sway of religion, politics, and race in the conversation. Using teachers’ professional journals and local newspapers, I find that educators existed on both sides of the debate as drivers of the action—sometimes as actors, but also as proxies and participants.

In addition, as arbiters of kids’ free time, keepers of literacy, imparters of citizenship, developers of good taste, and specialists in the behavior and needs of students, teachers had a special vantage point from which to observe the effects of comics on young readers. Theirs was a valuable position, and it was coopted by any number of factions jockeying for influence. Probing the records of the comic book industry’s regulatory body, I determined that educators were targets of the industry’s campaign to legitimate the genre.

My dissertation also situates universities as key sites of pro-comics activities and expands the actors in the anti-comics campaign to include independent scholars, as well as university faculty, administrators, and students. Peer-reviewed research was used by parties on both sides of the debate. Evaluating this scholarship, I conclude that unaffiliated researchers made consequential contributions to the debate, speaking directly to the public in ways that more traditional researchers could not. Finally, my project establishes the nuance in educators’ role in the anti-comics campaign and surveys the ways they were actors, subjects, and instruments in the movement. Utilizing textual analyses of key Silver Age comics, I find that the comic books created in the wake of the anti-comics crusade were direct outgrowths of the anxieties and aspirations of educators—a deliberate effort by comic book publishers to gain their endorsement.

Identiferoai:union.ndltd.org:columbia.edu/oai:academiccommons.columbia.edu:10.7916/4pfw-f477
Date January 2023
CreatorsBynum, Leon James
Source SetsColumbia University
LanguageEnglish
Detected LanguageEnglish
TypeTheses

Page generated in 0.0022 seconds