This thesis deals with issues of multilingualism, i. e. appearance of two or more different languages, in a film. The first part of the thesis provides an introduction to the theory of communication, then follows a brief look at the character of film communication, i. e. its primary and secondary stucture. The second part concerns with multilingualism on both levels of communication in film discourse. The author discusses filmmaker's intentions related to comprehension or incomprehension of a foreign-language text and establishes the functions of multilingualism. The following parts research three separate film categories whose classification is based on types of languages that appear in film. The first category embraces films in that several different real spoken languages figure, the second one includes films where real spoken language and fictional language appear, films of the third category present spoken language and means of communication used by deaf people. Keywords sound film, communication, multilingualism, natural language, sign language, fictional language
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:304275 |
| Date | January 2012 |
| Creators | Hamerlová, Dana |
| Contributors | Mareš, Petr, Bozděchová, Ivana |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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