This dissertation comprises an examination of the author’s compositional processes in general, and a discussion of the practical application of these principles in the composition of Objets à réaction poétique (2015-16) for nineteen musicians. Most notably, this composition and accompanying dissertation seek to substantiate the author’s hypotheses that structural- coherence may be achieved through a process attempting to assess the degree of salience of musical materials, and based upon these assessments, to ‘optimise’ associated durations & temporal-placements of materials. The various means by which salience may be achieved & quantified are examined in detail, as is the process through which an appropriate setting for the disposition of salient events is created.
| Identifer | oai:union.ndltd.org:columbia.edu/oai:academiccommons.columbia.edu:10.7916/D8708632 |
| Date | January 2017 |
| Creators | Clift, Paul David |
| Source Sets | Columbia University |
| Language | English |
| Detected Language | English |
| Type | Theses |
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