The purpose of this study is to create an original composition for piano and
orchestra, Piano Concerto Number One, Heatmadah. While numerous compositions of
piano concerti already exist, the goal of the dissertation, through the process of
composing an original score, is to express new ideas based on traditional forms. This
quest evokes the questioning of traditions, yet presses tightly upon the value of the
individual.
The first section presents a brief history of the piano concerto and introduces my
piano concerto, Heatmadah. The second section discusses the significance of the study. A
review of literature is investigated in the third section. The fourth section contains the
methodology of my dissertation and includes discussion of preparation, orchestration,
the interaction between piano and orchestra, the role of the flute and piccolo,
virtuosity, and structure. The structure discussion includes a thorough analysis of how
the work is put together, and is illuminated by several musical excerpts. A description
of important musical traits and influences follows, including cyclical transformation,
augmentation and diminution of materials, harmonic language, influence of jazz and the
iconic jazz artist, influence of Ravel, and challenges and goals.
I hope that my concerto will connect and resonate with both performers and
audiences alike. / School of Music
| Identifer | oai:union.ndltd.org:BSU/oai:cardinalscholar.bsu.edu:123456789/197792 |
| Date | 14 December 2013 |
| Creators | Xu Schott, Grace |
| Contributors | Palmer, Robert C., Zhong, Mei |
| Source Sets | Ball State University |
| Detected Language | English |
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