Return to search

Stylistic Comparisons and Innovations in Mozart's E-Flat Major Piano Concertos, K. 271 and K. 482

It is obvious that the Mozart Eb Major Concertos for Piano, K. 271 and K. 482, bear certain resemblances to each other. The primary conclusion of this study is that Mozart consciously looks to K. 271 as a guide for his later composition. Consider the fact that the "Jeunehomme" concerto establishes Mozart as a mature musician and wins him public acclaim. He seeks to regain public favor with the later work.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc663438
Date01 1900
CreatorsBlocker, Robert L. (Robert Lewis), 1946-
ContributorsCass, Richard, McKinley, Frank
PublisherNorth Texas State University
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatvi, 51 leaves : illustrations, Text
RightsPublic, Blocker, Robert L. (Robert Lewis), 1946-, Copyright, Copyright is held by the author, unless otherwise noted. All rights

Page generated in 0.0023 seconds