Return to search

A Stylistic and Pianistic Evaluation of Aaron Copland's Piano Fantasy

The Piano Fantasy will be compared to Aaron Copland's other major piano works, the Piano Variations and Piano Sonata, to determine if he has retained his basic stylistic features, although he has employed serial principles more extensively in the piano fantasy than in the other two works and has passed through two different style periods, the "Abstract" (1929-1935) and the American "Folksong" (1934-1955).

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc798111
Date08 1900
CreatorsHutchison, Merilyn Kae
PublisherNorth Texas State University
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatx, 90 leaves : music, Text
RightsPublic, Hutchison, Merilyn Kae, Copyright, Copyright is held by the author, unless otherwise noted. All rights

Page generated in 0.0021 seconds