Draws a comparison between the piano variation techniques of Beethoven and Copland with reference only to the two works discussed herein, Thirty-Two Variations and Piano Variations, with the intent of gaining from these isolated examples knowledge of the changes in variation writing from Beethoven's time to the present.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc163854 |
| Date | 05 1900 |
| Creators | Parrish, Mary Kay, 1940- |
| Contributors | Ottman, Robert W., Grubb, Margaret |
| Publisher | North Texas State University |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | vi, 81 leaves: music, Text |
| Rights | Public, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Parrish, Mary Kay, 1940- |
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