Richard Serra's sculpture constitutes a political act through its analytical and operative strategies: analytical, when the work exposes the structures that frame our intersubjectivity, and operative, when the work acts as an example of resistance to the habitual acceptance of these structures. The significance of this oeuvre to architecture is that Serra's sculpture deliberately presents itself as something just shy of architecture, claiming its critical role to be that abandoned by--and proper to--architecture.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.27982 |
| Date | January 1997 |
| Creators | Rifkind, David. |
| Contributors | Perez-Gomez, Alberto (advisor) |
| Publisher | McGill University |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Format | application/pdf |
| Coverage | Master of Architecture (School of Architecture.) |
| Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
| Relation | alephsysno: 001619939, proquestno: MQ37249, Theses scanned by UMI/ProQuest. |
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