In this study, the unique style of percussion writing in the chamber works of George Crumb, written between 1960 and 1980, is examined. The principal aspects examined within this study include: the extended instrumental techniques, the use of percussion within the musical imagery, soloistic treatment, compositional and notational procedures, and specific performance problems pertaining to the chamber work Songs, Drones, and Refrains of Death.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc278604 |
| Date | 08 1900 |
| Creators | LedBetter, Robert B. |
| Contributors | Schietroma, Robert J., Brothers, Lester Dwayne, 1945-, Winslow, Robert A., Crowder, Robert D. |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | ix, 130 leaves: music, Text |
| Rights | Public, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., LedBetter, Robert B. |
| Relation | Lecture recital: July 6, 1992, ark:/67531/metadc983882, Recital: July 13, 1987, ark:/67531/metadc983806 |
Page generated in 0.0073 seconds