Dissertation thesis deals with the construction of the identity of Slovak art modernism in the period of the First Czechoslovak Republic (1918-1938) within the context of the official ideology of Czechoslovakism and in relation to Czech modern art. For many artists, theorists, and art historians in Slovakia, who, as part of the intelligentsia, felt obliged in the newly formed state to create and confirm a national identity through art, the search for Slovakness in art was crucial. This search was influenced by the nature of Czech - Slovak cultural relations, mutual misunderstandings, and stereotypes. The forms of Slovak modernism were formed in close connection with Czech modernism and at the same time as resistance to it. In this sense, we can consider the emphasis on Slovakness in the fine arts as an attempt not to merge artistically with the current of Czech art modernism. This study thus examines how national identity is constructed through the visual arts and what role plays its broader cultural and political background.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:436921 |
| Date | January 2020 |
| Creators | Kvočáková, Lucia |
| Contributors | Rakušanová, Marie, Orišková, Mária, Filipová, Marta |
| Source Sets | Czech ETDs |
| Language | Slovak |
| Detected Language | English |
| Type | info:eu-repo/semantics/doctoralThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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