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A Study of Idiomatic Piano Compositions During the Cultural Revolution in the People's Republic of China

This study demonstrated that the piano, a typical Western instrument, became the Chinese composer's tool for expressing the sound ideals and tone qualities that are intrinsic to Chinese music. A new musical idiom was created in these piano compositions, an idiom that combined Western compositional techniques and traditionally-based Chinese ideals.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc278304
Date08 1900
CreatorsFan-Long, Grace (Chun Grace)
ContributorsPaul, Pamela Mia, Cho, Gene J., Eschbach, Jesse E., Smallwood, J. B.
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatxi, 47 leaves : ill., music, Text
CoverageChina
RightsPublic, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Fan-Long, Grace (Chun Grace)

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