In this paper I investigate why people define Lindelof’s shows so much by their creator and why they are so linked to one another. I ask if Lindelof’s case is an example of auteurism in television, and if so, what the implications of this are for television as a whole.
| Identifer | oai:union.ndltd.org:CLAREMONT/oai:scholarship.claremont.edu:scripps_theses-2189 |
| Date | 01 January 2018 |
| Creators | Woscoboinik, Emily |
| Publisher | Scholarship @ Claremont |
| Source Sets | Claremont Colleges |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Scripps Senior Theses |
| Rights | © 2017 Emily Woscoboinik, default |
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