This paper attempts an analysis of Ebrahim Hussein’s drama Mashetani through a critical approach based on the dimension of horror. Despite the pervasive strength of this element in Mashetani, it has rarely been considered as anything more than a mere stylistic element in a vision of this drama which approaches its contents only, using allegory. In this study, Mashetani will be read from a different point of view, which sees the horrific element as bearer of new contents and new subjects not always reachable through an allegorical interpretation, in order not only to make a contribution to literary criticism of this drama, but also to emphasize how horror can acquire an analytic function besides its stylistic role.
Identifer | oai:union.ndltd.org:DRESDEN/oai:qucosa:de:qucosa:32894 |
Date | 31 January 2019 |
Creators | Minerba, Emiliano |
Contributors | Universität Leipzig |
Source Sets | Hochschulschriftenserver (HSSS) der SLUB Dresden |
Language | English |
Detected Language | English |
Type | info:eu-repo/semantics/publishedVersion, doc-type:article, info:eu-repo/semantics/article, doc-type:Text |
Rights | info:eu-repo/semantics/openAccess |
Relation | 1614-2373, urn:nbn:de:bsz:15-qucosa2-328795, qucosa:32879 |
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