This thesis examines the double-voiced representations of disability and illness in several works by Montgomery, the <i>Emily</i> trilogy (1923, 1925, 1927), the novel <i>The Blue Castle </i>(1926), the novella <i>Kilmeny of the Orchard </i>(1910), and two short stories, <i>The Tryst of the White Lady</i> (1922) and <i>Some Fools and a Saint</i> (published in 1931 but written in 1924). Although most of Montgomerys fiction in some way discusses illness and disability, often through secondary characters with disabilities, these works in particular feature disability as a central issue and use their heroes and heroines disabilities to impel the plots. While with one voice these works comply with conventional uses of disability in the love story genre, with another they criticize those very conventions. Using disability theory to analyze the fictions double voice, my thesis reveals that the ambiguity created by the internal conflict in the texts evades reasserting the binary relationship which privileges ability and devalues disability. <p> This thesis uses disability theory to examine the double-voiced representation of disability in the fiction of L.M. Montgomery. Bakhtin describes the double voice as an utterance which has two speakers at the same time and expresses simultaneously two different intentions: the direct intention of the character who is speaking and the refracted intention of the author (324). In this thesis, however, I perceive the double voice not as the difference between the voices of the speaking character or narrator and of the authors intention. Instead, I will approach the double voice as simultaneous expressions of conflicting representations, whether or not the author intends them. These voices within the double voice internally dialogue with each other to reflect changing social attitudes toward disability. By applying disability theories, such as those by critics David Mitchell and Sharon Snyder, Susan Sontag, Martha Stoddard Holmes, and Rosemarie Garland Thomson, that assess how texts invoke disability as a literary technique, this thesis shows that the narrative structure of Montgomerys fiction promotes the use of disability as a literary and social construct, while its subtext challenges the investment of metaphoric meaning in disability.
| Identifer | oai:union.ndltd.org:USASK/oai:usask.ca:etd-07202006-172102 |
| Date | 25 July 2006 |
| Creators | Hingston, Kylee-Anne |
| Contributors | James-Cavan, Kathleen |
| Publisher | University of Saskatchewan |
| Source Sets | University of Saskatchewan Library |
| Language | English |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | http://library.usask.ca/theses/available/etd-07202006-172102/ |
| Rights | unrestricted, I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to University of Saskatchewan or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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