abstract: The purpose of this research is to uncover connections between Chinese composer Shande Ding and Western composers, as found in the development of Ding’s compositional style.
Ding’s solo piano pieces are representative of his overall stylistic tendencies. As an innovative composer, Ding’s experiments in combining various and bold musical materials with Chinese traditional styles became the model for contemporary Chinese composers and those of the next generation.
There is little research, and few recordings of Ding’s work available in the United States. Most of the research remains in China, including his biography, styles, the analyses of specific pieces, etc. To date, Yuefang Liu has contributed the only dissertation on the merging of Eastern and Western Music Cultures that mentions Shande Ding, and it cites only Ding’s early piano works. Some articles have suggested that Ding may have been influenced by western composers, but there is no actual exploration of the proposition. This paper will offer some pedagogical suggestions by dividing Ding’s solo piano works into different levels of difficulty, along with tips on performance and teaching approaches. Both the connection between piano works of Western composers and Shande Ding, and Ding’s resultant compositional style, will be explored. It is hoped that the project will expand further interest in Ding’s solo piano works. / Dissertation/Thesis / Doctoral Dissertation Music 2020
| Identifer | oai:union.ndltd.org:asu.edu/item:63044 |
| Date | January 2020 |
| Contributors | Zhou, Xu (Author), Hamilton, Robert (Advisor), Rockmaker, Jody (Committee member), Creviston, Hannah (Committee member), Arizona State University (Publisher) |
| Source Sets | Arizona State University |
| Language | English |
| Detected Language | English |
| Type | Doctoral Dissertation |
| Format | 68 pages |
| Rights | http://rightsstatements.org/vocab/InC/1.0/ |
Page generated in 0.0018 seconds