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Looking at caves from the bottom-up: a visual and contextual analysis of four Paleolithic painted caves in southwest France (Dordogne)

A century of hypotheses concerning Paleotlithic cave use has focused either on individual activities (such as vision quests or shamanistic visits) or group activities such as initiations. This thesis proposes and tests systematic criteria for assessing whether painted caves were locations of group or individual ritual activity in four caves in the Dordogne Region of Southwest France (Bernifal, Font-de-Gaume, Combarelles, and Villars). Resolving this issue provides an important foundation for examining more complex questions such as the exclusivity/inclusivity of groups using caves and their possible roles in the development and maintenance of inequalities in the Upper Paleolithic. Models for the emergence of socioeconomic complexity among hunters and gatherers have increasingly stressed the importance of ritual and ideology in understanding how inequality emerged. Addressing the issue of group dynamics and rituals associated with cave use may provide critical insight in our quest to understand Upper Paleolithic culture.

Identiferoai:union.ndltd.org:uvic.ca/oai:dspace.library.uvic.ca:1828/2875
Date23 June 2010
CreatorsVilleneuve, Suzanne Natascha
ContributorsNowell, April
Source SetsUniversity of Victoria
LanguageEnglish, English
Detected LanguageEnglish
TypeThesis
RightsAvailable to the World Wide Web

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