This master thesis focuses on the possibilities and limits of the dramaturgist during the creative process of rehearsal and on the dramaturgical parts of development of new dramatic texts. The author reflects her previous encounters with dramaturgy and her British experience gained during a study visit of Rose Bruford College in London.This master thesis does not lead towards theoretical generalization, but to the notation of the growing experiences, from which it draws conclusions for her own dramaturgical work (and her playwriting).The first part analyzes the phenomenon of the 'first reading rehearsal' in Czech and British context and the definition of relations between the various parts in this process.In the second part, the author describes two different principles of work aimed at developing new dramatic texts and compares them with her own experiences. As s part of this master thesis, there is also a transcript of an interview with Christopher Campbell, literary manager of the Royal Court Theatre in London.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:252284 |
| Date | January 2015 |
| Creators | Verecká, Tereza |
| Contributors | VEDRAL, Jan, HRBEK, Daniel |
| Publisher | Akademie múzických umění v Praze.Divadelní fakulta. Knihovna |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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