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Recontextualisation of the dundun drumming tradition in Hampshire

This project will be using an Action Research methodology to reflect on my own practice as a dundun practitioner. It examines the roots of my practice in the traditions of the dundun in the Yoruba tradition in Nigeria - both from oral and literary sources - and in my experiences in Hungary. It concentrates on my work in Hampshire where I worked in a number of different contexts. It examines in detail two case studies in which I attempted to recontextualise the dundun in two separate institutions - church and prison. These will be examined and analysed using the frames of post-colonial theory and Foucauldian social constructionism. Five concepts arise from these analyses which permeate the thesis: 'cultural dialogue, understanding and integration'; 'representation and presentation of culture and notions of identity'; 'tradition, authenticity and originality'; 'construction of meanings' and 'empowerment' . An important thread in this thesis on reflexive practice in the area of recontextualisation is the part the dundun plays in identity construction, contrasting Yoruba with European practice. The conclusions reflect the complexity of the processes involved in recontextualisation, especially the role of gatekeepers, the place of plurality in value systems in openness to change, the role experience plays in approaching new contexts, the complexity of the issues involved in cultural dialogue, the different types of power found in the various contexts and the relationship between tradition, authenticity and originality in various cultures. It analyses how my own practice has been influenced by these case studies.

Identiferoai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:548203
Date January 2011
CreatorsEluyefa, Dennis Oladehinde
ContributorsBoyce-Tillman, June ; Taiwo, Olu
PublisherUniversity of Winchester
Source SetsEthos UK
Detected LanguageEnglish
TypeElectronic Thesis or Dissertation

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