This thesis explores South African author K Sello Duiker's The Quiet Violence of Dreams (2001) as a narration of personal and national trauma. This narration of trauma, as a disruption of the past in the present, provides insight to an imagination of recursive temporality. Through the temporal insights trauma introduces, it understands a shared history which is outside of modern, linear progression, a history which is always happening, not needing to prove itself but begging to be witnessed. It is this imagination of a collective, recursive history which translates, in the text, towards a decidedly decolonial witnessing.
| Identifer | oai:union.ndltd.org:CLAREMONT/oai:scholarship.claremont.edu:scripps_theses-2168 |
| Date | 01 January 2018 |
| Creators | Shinners, Keely |
| Publisher | Scholarship @ Claremont |
| Source Sets | Claremont Colleges |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Scripps Senior Theses |
| Rights | © 2017 Keely M. Shinners, default |
Page generated in 0.0817 seconds