<p>Doktorska teza pod naslovom<br />Illusztráció és szöveg intermediális kapcsolata<br />Janikovszky Éva<br />„gyermekprózájábanˮ(Intermedijalna<br />povezanost ilustracije i teksta u „prozi za decuˮ<br />Eve Janikovski) se bavi proznim stvaralaštvom<br />za decu Eve Janikovski (Janikovszky Éva). Ova<br />spisateljica svetsku slavu postigla je<br />prvenstveno sa svojim „slikovnicamaˮ, preveli<br />su ih čak na trideset i pet jezika, pa ipak, stručne<br />literature i detaljnih analiza o njenim delima<br />praktično nema. Dakle, kritička recepcija<br />njenog opusa je veoma oskudna, a i monografija<br />o njenom stvaralaštvu je objavljena tek 2014.<br />godine.<br />Autorka doktorske disertacije smatra da<br />ove „slikovniceˮ zauzimaju posebno mesto u opusu Eve Janikovski. One su stvorile jedan</p><p>novi tip, novi žanr knjige u mađarskoj<br />književnosti; u ovim knjigama za decu tekst i<br />ilustracija čine jednu nerazdvojivu celinu. Tako<br />da one svakako zaslužuju našu posebnu pažnju.<br />Rad sa jedne strane pokušava da<br />žanrovski odredi pojedina dela napisana za decu<br />Eve Janikovski. U okviru toga smatra se<br />potrebnim i da se pronađe mesto „slikovniceˮ u<br />njenom celokupnom opusu, a i da se ukaže na to<br />zašto se koriste navodnici za ovaj termin, za<br />ovu vrstu knjige. Nadalje, doktorska teza skreće<br />pažnju i na glavnu izražajnu formu ove<br />spisateljice, a to je monolog, te na večitu temu<br />njenih knjiga, na međusobni odnos deteta i<br />odraslih.<br />Sa druge strane doktorska teza posebno<br />se bavi i Laslom Reberom (Réber László),<br />isključivim ilustratorom knjigâ Eve Janikovski.<br />Autorka teze je ubeđena da bez poznavanja<br />umetnosti, grafičkog sveta ovog crtača, bez<br />razumevanja dinamike njegovih ilustracija, ni<br />„slikovniceˮ ne možemo da tumačimo i<br />analiziramo na adekvatan način.<br />Ako je i sama umetnost diskurs, onda u<br />ovom slučaju možemo govoriti u susretu dvaju<br />diskursa, književnog teksta Eve Janikovski i<br />ilustracije Lasla Rebera. U centru pažnje<br />autorke disertacije, dakle, stoji intermedijalni<br />odnos između ovih, verbalnih i vizuelnih,<br />diskursa.<br />Uzimajući u obzir najznačajnije i<br />najsavremenije teorijske radove o<br />intermedijalnosti, one teorijske diskurse koje<br />analiziraju međusobni odnos verbalne i vizuelne<br />reprezentacije u knjigama, oslanjajući se na<br />rezultate istoričara umetnosti i naučnih radova<br />koji se bave istraživanjem ilustracije, autorka<br />doktorske teze vrši analizu „slikovnicaˮ prema<br />sopstveno izrađenom, posebnom metodičkom<br />pristupu.<br />Naposletku vrši se i analiza jezika Eve<br />Janikovski, te komparativna analiza originalnog<br />teksta „slikovnicâˮ i prevoda istih. Posmatra se i<br />to kakav će biti intermedijalni odnos teksta u<br />nemađarskom jezičkom okruženju i crteža Lasla<br />Rebera, pošto se i prevodi ovih knjigâ uvek se<br />objavljaju sa originalnim ilustracijama.</p> / <p>The doctoral dissertation entitled<br />Illusztráció és szöveg intermediális kapcsolata<br />Janikovszky Éva „gyermekprózájábanˮ<br />(English translation: Intermedial<br />correspondence between text and illustrations<br />in „children's proseˮ by Éva Janikovszky) deals<br />with fiction prose for children written by Éva<br />Janikovszky. This writer has become world<br />famous primarily thanks to her „picturebooksˮ.<br />They have been translated into as many as<br />thirty-five world languages and yet there is<br />practically no scholarly research or detailed<br />analysis of her works. Obviously, her literary<br />opus has not been paid enough critical attention<br />and even the first monograph on her work<br />appeared only in 2014.<br />The author of this doctoral dissertation<br />believes that these „picturebooksˮ have a<br />special place in the literary opus of Éva Janikovszky. Namely, with her „picturebooksˮ</p><p>she has created a completely new and unique<br />literary genre in Hungarian literature. In these<br />books for children, text and illustrations make<br />one inseparable whole. As such, they certainly<br />ought to be given special attention.<br />On the one hand, this doctoral<br />dissertation attempts at determining the genre of<br />selected prose works for children by Éva<br />Janikovszky. In line with that, it is considered as<br />necessary to analyze and evaluate the<br />importance of „picturebooksˮ among all other<br />works by this author, as well as to explain the<br />usage of inverted commas when referring to this<br />type of books. Furthermore, this doctoral<br />dissertation also addresses monologue as the<br />main narrative form of Éva Janikovszky and<br />finally analyzes the relationship between<br />children and adults, as the predominant topic in<br />all of her books.<br />On the other hand, this doctoral<br />dissertation gives special attention to the work<br />of László Réber, as a single illustrator working<br />exclusively on Éva Janikovszky's books. The<br />author of this thesis strongly holds it that<br />without knowing Réber's artistic expression and<br />dynamics of his illustrations, we cannot even<br />fully and correctly analyze and discuss the<br />„picturebooksˮ.<br />If we consider art to be a special<br />discourse, then in this case we can talk about the<br />interplay between two discourses- literary text<br />by Éva Janikovszky and Réber's illustrations. Hence, the focal part of this doctoral</p><p>dissertation is the intermedial correspondence<br />between these two discourses: verbal and visual.<br />Based on the most influential and most<br />contemporary theoretical studies on<br />intermediality, in particular such theoretical<br />discourses that analyze the peculiar interplay<br />between verbal and visual representations in<br />books, while at the same time relying on<br />findings of art historians and scholarly papers<br />dealing with illustration, the author of this thesis<br />analyzes „picturebooksˮ according to her own,<br />specially created methodological concepts.<br />Finally, the author also touches upon<br />language used in Éva Janikovszky's works,<br />making a comparative analysis of original text<br />in her „picturebooksˮ and their translation<br />counterparts. Considering the fact that translated<br />versions of her books always appear with<br />original illustrations, this dissertation also<br />observes the intermedial correspondence<br />between László Réber's drawings and<br />translation equivalents in languages other than<br />Hungarian, which is the source language of Éva<br />Janikovszky's literature.</p>
| Identifer | oai:union.ndltd.org:uns.ac.rs/oai:CRISUNS:(BISIS)94833 |
| Date | 08 July 2015 |
| Creators | Utaši Aniko |
| Contributors | Hoža Eva, Bence Erika, Čanji Eržebet, Horvat Futo Hargita, Virag Zoltan |
| Publisher | Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, University of Novi Sad, Faculty of Philosophy at Novi Sad |
| Source Sets | University of Novi Sad |
| Language | Hungarian |
| Detected Language | English |
| Type | PhD thesis |
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