This paper examines the speech-based musical realization of "The Surface" and its attempt to assimilate the poem at the structural, sonic, and expressive level. The software and analysis/re-synthesis techniques used to create timbres heard in the composition are discussed in detail. In addition to technical and structural issues, the common elements of the two art forms are considered within the context of the digital domain.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc5510 |
| Date | 05 1900 |
| Creators | Willis, Stephen |
| Contributors | Nelson, Jon Christopher, Cooper, J. Michael, Klein, Joseph, 1962-, Phipps, Graham Howard, Clark, Thomas |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Copyright, Willis, Stephen, Copyright is held by the author, unless otherwise noted. All rights reserved. |
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