This dissertation analyzes the relationship between the surrealist painters of the twentieth century and the verbal images of Herman Melville in his masterpiece Moby-Dick. The work examines Melville's lifelong affinity for the visual arts, his strange visual images, and the relationship he has to the surrealists of the subsequent century. / A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy. / Spring Semester, 2003. / April 23, 2003. / Surrealist Painters, Religious Images Verbal Images / Includes bibliographical references. / David Kirby, Professor Directing Treatise; Roberto Fernandez, Outside Committee Member; Joseph McElrath, Committee Member; Dennis Moore, Committee Member.
| Identifer | oai:union.ndltd.org:fsu.edu/oai:fsu.digital.flvc.org:fsu_182400 |
| Contributors | Glover, Albert (authoraut), Kirby, David (professor directing treatise), Fernandez, Roberto (outside committee member), McElrath, Joseph (committee member), Moore, Dennis (committee member), Department of English (degree granting department), Florida State University (degree granting institution) |
| Publisher | Florida State University, Florida State University |
| Source Sets | Florida State University |
| Language | English, English |
| Detected Language | English |
| Type | Text, text |
| Format | 1 online resource, computer, application/pdf |
| Rights | This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). The copyright in theses and dissertations completed at Florida State University is held by the students who author them. |
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