Thesis (Ph.D.)--Boston University / The purpose of this study was to examine the development of Elizabethan consort music from its weal origin as presented in two manuscripts from the period. The following conditions governed the selection of the manuscripts: (1) they should contain a representative number of composers from the period; (2) they should picture, as clearly as possible, the evolution of Elizabethan instrumental ensemble music; and (3) they should contain a sufficient number of works in one instrumental form so that a valid analysis of that form could be concluded. The two manuscripts chosen on the basis of the forementioned conditions were British Museum Additional Manuscript 31,390 and Bodleian Library Manuscripts D. 212-216. Together they contained almost two hundred vocal and instrumental compositions by both Continental and English composers from the sixteenth and early seventeenth centuries. Approximately half the contents of the two sources were In Nominee, an English instrumental form based on a cantus firmus from the Benedictus of Taverner's "Missa Gloria tibi Trinitas" [TRUNCATED]
| Identifer | oai:union.ndltd.org:bu.edu/oai:open.bu.edu:2144/23925 |
| Date | January 1960 |
| Creators | Key, Donald Rochester |
| Publisher | Boston University |
| Source Sets | Boston University |
| Language | en_US |
| Detected Language | English |
| Type | Thesis/Dissertation |
| Rights | Based on investigation of the BU Libraries' staff, this work is free of known copyright restrictions. |
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