Early Modern Players of Folly Thesis Abstract This thesis examines the ways in which folly is used in early modern literature. It asks: how is it that such an ephemeral concept proliferated and endured in the culture of early modern Europe? My understanding of early modern folly as a discursive phenomenon that was used as a way of questioning the knowledge of the ostensibly reasonable world is illustrated by case studies of four characters-four players of folly. Dedicated a chapter each, they are Till Eulenspiegel, the great German jester; Pomet Trpeza, a typically Ragusan wit of Marin Držić's Dundo Maroje; Brother Jan Paleček, a Bohemian representative of holy folly; and Sir John Falstaff, the embodiment of folly in Shakespeare's 1 and 2 Henry IV. Although they emerge from different cultural, linguistic and generic traditions, they nonetheless share a propensity for employing folly in ways that uncover possibilities for new understandings and challenge rigid certainties of the world around them. Early modernity, the era that produced the works I explore, has become associated with shifts and instabilities. In this Age of Discovery, man was compelled to understand afresh a suddenly unfamiliar world. However, where man and his reason reign, folly gladly follows. I read each of my four players of folly as...
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:338455 |
| Date | January 2015 |
| Creators | Pranič, Martina |
| Contributors | Procházka, Martin, Pfister, Manfred, Nováková, Soňa |
| Source Sets | Czech ETDs |
| Language | English |
| Detected Language | English |
| Type | info:eu-repo/semantics/doctoralThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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