This paper focuses on Dianshizhai Pictorials (1884-1898), an influential pictorial with commercial success, as a case study. By analyzing selected illustrations of Western technology and policy, I will explore why and how the visual functioned as mediation between the new knowledge and the ideals of Chinese traditions. The intellectuals and literati, such as the editors and artists of Dianshizhai Pictorial, were relatively receptive and open-minded towards new knowledge and other innovative aspects of Western culture. But they were also distressed at many of the social changes induced by Western interaction in the settlements, especially the disintegrating effect on the traditional values and mores of Chinese society.
My main argument is seeing is not necessarily believing. The Dianshizhai Pictorial was a part of the mediation between Ti (Chinese tradition and values as foundation) and Yong (Western Technology as tools). The editors and readers, and even high ranking officials like Li Hung Chang, wanted to see and use Western technology as effective tools (Yong). However, they were seeing the tools through Chinese minds, interpreting and believing through Chinese tradition and values, which is the basic foundation (Ti).
Identifer | oai:union.ndltd.org:PITT/oai:PITTETD:etd-08032011-140231 |
Date | 14 September 2011 |
Creators | Wang, Haixia |
Contributors | Ximmin Liu, William Crawford, Katherine Carlitz |
Publisher | University of Pittsburgh |
Source Sets | University of Pittsburgh |
Language | English |
Detected Language | English |
Type | text |
Format | application/pdf |
Source | http://etd.library.pitt.edu/ETD/available/etd-08032011-140231/ |
Rights | restricted, I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to University of Pittsburgh or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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