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"In Search of Lost Time": La Notte and the Time-Image

Most analyses of Michelangelo Antonionis films have emphasized themes of alienation, but these interpretations have ignored postwar attempts to address issues of ethical responsibility. As much as Antonionis films are about individuation and isolation, individuation as alterity becomes a way to talk about altruism and compassion. In my paper, I examine the implications of Deleuzes time-image, which point to a past, diachronic time that never emerges on screen in La Notte. The time-image relies on visual, audio, and tactile details to draw the spectators attention to time as an abstract concept, and Antonionis time-image cinema allows for a merging of exterior and internal space. I place La Notte both in context with other postwar neorealist films and recent theoretical discussions of Deleuze. At the same time, I argue that Antonionis interest in ethical responsibility, which begins with an acknowledgment of the selfs limitations, parallels Levinass philosophical formulations about the proximity of the other. In the context of postwar concerns, Levinas radically argues that ethical behavior begins with a recognition of alterity between individuals.

Identiferoai:union.ndltd.org:VANDERBILT/oai:VANDERBILTETD:etd-06102006-151253
Date29 June 2006
CreatorsChuang, Alice
ContributorsLynn Enterline, Sam B. Girgus
PublisherVANDERBILT
Source SetsVanderbilt University Theses
LanguageEnglish
Detected LanguageEnglish
Typetext
Formatapplication/pdf
Sourcehttp://etd.library.vanderbilt.edu/available/etd-06102006-151253/
Rightsunrestricted, I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to Vanderbilt University or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.

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