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Tracing the Motherland: Autobiography, Migration, and Matrilineality in Gloria Naylor's Mama Day

This paper situates Gloria Naylors 1988 novel, Mama Day, within the tradition of 19th century African American womens autobiography. I argue that the slave-narrative can be understood as black autobiography in that ex-slaves used their life story as a political tool in both critiquing slavery and redefining black identity. Mama Day could be understood as a neo-slave narrative since the novel traces a trajectory from Sapphira Wadea young black female slave living in the 19th century to the youngest descendent of her matrilineal line, Cocoa Day, who is living in the 20th century. The novel is set in Willow Springs, a fictional island where Sapphira Wade was enslaved. I argue that Sapphira Wade is able to redefine black femininity through her use of conjure to reclaim Willow Springs from her master and create a safe space for her matrilineal line of Day women. These women follow in Sapphira Wades tradition of black female self-empowerment and self-definition. I find that Cocoa Day, too, follows in this tradition, which is expressed by Naylors choice to allow Cocoa Day to speak in first-person. This paper explores how Cocoas narration can be interpreted as an autobiography and how both her ancestry and migratory experiences shapes this self-crafting of a life story. Furthermore I look at how Cocoa-through her life story-becomes an agent in the construction of a modern black female subjectivity.

Identiferoai:union.ndltd.org:VANDERBILT/oai:VANDERBILTETD:etd-06302012-152033
Date23 July 2012
CreatorsMensah, Lucy Kwabah
ContributorsDr. Ifeoma Nwankwo
PublisherVANDERBILT
Source SetsVanderbilt University Theses
LanguageEnglish
Detected LanguageEnglish
Typetext
Formatapplication/pdf
Sourcehttp://etd.library.vanderbilt.edu/available/etd-06302012-152033/
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