Bibliography: leaves 166-180. / The central characters in Doris Lessing's novels are usually women struggling to shape for themselves a new and authentic identity in a changing world. In this study it is argued that this quest involves the Lessing character in a conflict less with any man than with another woman. This woman is the mother. The younger woman's task is to resist the compulsion to become like her mother and so lead a narrow, entirely domesticated life. The theme of the mother-daughter conflict is given its first extensive examination in this study. Three of Lessing's works are analysed in detail, while brief reference is made to nearly all of her novels and some African short stories. The three works selected, The Grass is Singing (1950), "To Room Nineteen" (1963), and The Marriages Between Zones Three, Four, and Five (1980), mark the beginning, an approximate mid-point, and the conclusion of the theme under discussion. They are also works that have not, as yet, enjoyed the exhaustive critical attention given to the Children of Violence series and The Golden Notebook.
Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:uct/oai:localhost:11427/7592 |
Date | January 1985 |
Creators | Hunter, Eva Shireen |
Contributors | Cartwright, John |
Publisher | University of Cape Town, Faculty of Humanities, Department of English Language and Literature |
Source Sets | South African National ETD Portal |
Language | English |
Detected Language | English |
Type | Master Thesis, Masters, MA |
Format | application/pdf |
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