ENGLISH
INDIVIDUALISM POSSESSED: THE SUPERNATURAL MARRIAGE PLOT,
1820-1870
MELANIE BUTLER HOLLADAY
Dissertation under the direction of Professor Cecelia Tichi
This project focuses on the supernatural marriage plot, a previously unexplored American genre which peaks between 1820 and 1870, the decades between the emergence of the Angel in the House and the rise of the New Woman. This genre deploys metaphoric supernaturalismequating female characters with supernatural figures such as fairies, elves, and witchesto counter the supernaturalism implicitly associated with angelic True Womanhood, and is embroiled in the cultural debate between selfless angeldom and self-interested individualism as models of female identity. The supernatural marriage plot is also engaged in an ongoing dialogue with the hugely popular genre of domestic fiction, a genre which focuses on the process of angel formation. Whereas domestic fiction typically involves the transformation of a rebellious, individualistic girl into a submissive, self-sacrificing angel in the house, supernatural marriage fiction thwarts this transformation, allowing the rebellious heroine to retain the autonomy and self-interestedness associated with individualism. The genre thus aligns itself with Victorian proponents of womans rights in its concern with promoting an individualistic identity for women and permitting women to assert power openly and directly rather than covertly. Supernatural marriage fiction also singles out ghostliness as a problematic form of supernaturalism, thus rejecting the figurative disembodiment associated with angeldom. The genre thus replaces the spiritualized angel with a variety of embodied supernatural figures. In so doing, it participates in a broader cultural trendthe shift from an earlier rhetorical model of citizenship, one founded in the notion of equal, disembodied souls, to an embodied version of citizenshipand this insistent embodiment in turn allows female characters access to possessive individualism. Further, the genres promotion of physicalityin which its heroines metaphorically inhabit a variety of alternate, supernatural bodiesallows its female individualists both to evade the disembodiment of angeldom and to avoid being pinned down to a single, monochromatic, angelic identity.
| Identifer | oai:union.ndltd.org:VANDERBILT/oai:VANDERBILTETD:etd-07212006-113702 |
| Date | 28 July 2006 |
| Creators | Holladay, Melanie Butler |
| Contributors | John Halperin, james epstein, Jay Clayton, Cecelia Tichi |
| Publisher | VANDERBILT |
| Source Sets | Vanderbilt University Theses |
| Language | English |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | http://etd.library.vanderbilt.edu/available/etd-07212006-113702/ |
| Rights | unrestricted, I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to Vanderbilt University or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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