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When Discourses Collide: Hegemony, Domestinormativity, and the Active Audience in Xena: Warrior Princess

This thesis argues that corporate practices of hegemony produce oppositional discourses on gender and sexuality through its appropriation and incorporation of feminist and queer fan discourses into television programming such as Xena: Warrior Princess. As a result, Xena: Warrior Princess can be read as a political site of struggle over the meaning of gender and sexuality. The destabilizing potential of these oppositional fan interpretations and practices, though, is simultaneously enabled and delimited to varying degrees by its situation within mass media institutions. In order to make this argument, my thesis is divided into three general sections, the first of which argues that the producers of Xena incorporated elements into the text from a wide variety of communities, particularly queer communities, in order to increase audience shares and profits. The second section examines how hegemonic and subaltern modes of gender and sexuality were negotiated within the text of Xena by framing the series within poststructuralist feminist debates and broadly arguing that attempts to fix the sexed and gendered identities of Xena's characters was undermined by the slippage of meaning enabled, but not totalized, by Xena's production practices. My final section concludes with a reconfiguration of the "active audience" by focusing upon the feedback loop between production and consumption practices in Xena, which positioned fans as forces that attempt to fix and ground interpretations of Xena rather than radically opening them. / A Thesis Submitted to the Department of English in Partial Fulfillment of the Requirements for the Degree of Master of Arts. / Spring Semester, 2008. / March 26, 2008. / Active Audience, Fandom, Domestinormativity, Television, Gender, Feminist Media Studies, Poststructuralism, Political Economy, Gramsci, Hegemony, Television Studies, Queer Theory, Gender, Feminism, Xena, Synergy, Globalization, Fan Fiction / Includes bibliographical references. / Leigh Edwards, Professor Directing Thesis; Jennifer Proffitt, Committee Member; Caroline Joan Picart, Committee Member.

Identiferoai:union.ndltd.org:fsu.edu/oai:fsu.digital.flvc.org:fsu_180385
ContributorsMyers, Brian H. (authoraut), Edwards, Leigh (professor directing thesis), Proffitt, Jennifer (committee member), Picart, Caroline Joan (committee member), Department of English (degree granting department), Florida State University (degree granting institution)
PublisherFlorida State University, Florida State University
Source SetsFlorida State University
LanguageEnglish, English
Detected LanguageEnglish
TypeText, text
Format1 online resource, computer, application/pdf
RightsThis Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). The copyright in theses and dissertations completed at Florida State University is held by the students who author them.

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