by Wong Man-ki. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2002. / Includes bibliographical references (leaves 157-163). / Abstracts in English and Chinese. / Abstract --- p.i / 論文提要 --- p.iii / Acknowledgements --- p.v / "Introduction ""Intertextuality"": Definitions and Issues" --- p.1 / Chapter Chapter1 --- Intertextuality in the Eighteenth-Century Novels: Samuel Johnson's Rasselas and Ellis Cornelia Knight's Dinarbas --- p.34 / Chapter Chapter2 --- Postmodern Intertextuality (I): The Subversive Rewriting Project in Angela Carter's The Bloody Chamber --- p.61 / Chapter Chapter3 --- Postmodern Intertextuality (II): Toward a Broader Scope ´ؤ Multiple Art Forms in Marina Warner's The Mermaids in the Basement and Paula Rego's Nursery Rhymes --- p.100 / Selected Bibliography --- p.157
| Identifer | oai:union.ndltd.org:cuhk.edu.hk/oai:cuhk-dr:cuhk_324022 |
| Date | January 2002 |
| Contributors | Wong, Man-ki., Chinese University of Hong Kong Graduate School. Division of English. |
| Source Sets | The Chinese University of Hong Kong |
| Language | English, Chinese |
| Detected Language | English |
| Type | Text, bibliography |
| Format | print, vi, 163 leaves : ill. ; 30 cm. |
| Coverage | 18th century, 19th century, Great Britain |
| Rights | Use of this resource is governed by the terms and conditions of the Creative Commons “Attribution-NonCommercial-NoDerivatives 4.0 International” License (http://creativecommons.org/licenses/by-nc-nd/4.0/) |
Page generated in 0.0039 seconds