Western aesthetic convention represents an accrual of inherited societal perspectives on the artist, the artifact and its consumer. A review of its history and the etymology of its terminology discloses a twofold problem. The first aspect concerns the separation of the manufacture of aesthetic objects from their economic raison d'etre. The second involves the categorization of these artifacts into art or craft. This problem is compounded when considering Western judgements on non-Western aesthetics. Inuit handicraft provides an appropriate model to illustrate the fact that present convention and nomenclature prove inadequate in addressing both intra and especially extra-cultural concerns. A broader and more inclusive orientation is needed.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.61118 |
| Date | January 1991 |
| Creators | Esbin, Howard Bennett |
| Publisher | McGill University |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Format | application/pdf |
| Coverage | Master of Arts (Department of Education in the Arts.) |
| Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
| Relation | alephsysno: 001271993, proquestno: AAIMM74729, Theses scanned by UMI/ProQuest. |
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