Not only did Debussy find the Symbolist movement a source of inspiration for his artistic aims, he often selected his literary collaborators from them. Pelleas et Melisande, Prelude a l'Apres-midi d'un Faune, Chansons de Bilitis, Trois Pomes de Stephane Mallarme, Fetes Galantes, Ariettes Oubliees, all had Symbolist authors. Moreover, the poetic style of the Proses Lyriques, of which Debussy himself was the author, is in the Symbolist manner.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc699652 |
| Date | 01 1900 |
| Creators | Pannell, Frankie Franks |
| Contributors | Ottman, Robert W., Ebersole, Joel Eyle |
| Publisher | North Texas State College |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | iv, 54 leaves: music, Text |
| Rights | Public, Pannell, Frankie Franks, Copyright, Copyright is held by the author, unless otherwise noted. All rights |
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