This thesis examines the adaptation of fairy tales in ten recent French and German films. It looks specifically at narrative structures, representations of magic, portrayals of childhood, and manifestations of good and evil. This thesis asks how and why contemporary French and German filmmakers choose, consciously or not, to update some of the central motifs of fairy tales for a modern audience and what attitudes toward the reconciliation of tradition and modernity those choices express.
| Identifer | oai:union.ndltd.org:CLAREMONT/oai:scholarship.claremont.edu:scripps_theses-1050 |
| Date | 12 May 2012 |
| Creators | Korn, Mirabelle |
| Publisher | Scholarship @ Claremont |
| Source Sets | Claremont Colleges |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Scripps Senior Theses |
| Rights | © 2012 Mirabelle Korn |
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