Traditional fairy tales represent some of the oldest and most archetypal forms of literature. However, as humanity rapidly evolves, the genre and content of traditional fairy tales still operates as a prevalent socializing agent that fails to promote pluralism. Instead, traditional fairy tales illustrate and uphold limited gender roles and expectations. This paper examines Hermann Hesse's role as a pioneer in a now burgeoning movement of fairy tale revisions that blur boundaries between fantasy and reality by introducing specific, everyday locations, countries, and individuals coupled with a copious use of the double. This formula draws the reader into the tale via the uncanny and prompts a reevaluation of especially violent historical moments and issues that affect all within a society. Hesse's work within this new tradition of revisions of beloved fairy tales, as well as his creation of literary fairy tales, has significantly influenced the work of key postmodern feminist fairy tale revisionists like Jeanette Winterson. / by Brittany K. Rigdon. / Thesis (M.A.)--Florida Atlantic University, 2009. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2009. Mode of access: World Wide Web.
| Identifer | oai:union.ndltd.org:fau.edu/oai:fau.digital.flvc.org:fau_4272 |
| Contributors | Rigdon, Brittany K., Dorothy F. Schmidt College of Arts and Letters, Department of English |
| Publisher | Florida Atlantic University |
| Source Sets | Florida Atlantic University |
| Language | English |
| Detected Language | English |
| Type | Text, Electronic Thesis or Dissertation |
| Format | vii, 109 p., electronic |
| Rights | http://rightsstatements.org/vocab/InC/1.0/ |
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