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Technická koordinace divadelního festivalu jako scénografická práce / TECHNICAL COORDITNATION OF THEATRE FESTIVAL AS SCENOGRAPHIC WORK

In my thesis I will analyse and present problems of adapting site-specific performances to new, alternative locations. As an example I will use Maribor Theatre Festival 2016 (FBS 2016), where I was involved as technical coordinator. My task was, to coordinate technical realisation of around 30 In my thesis I will analyse and present problematics of adapting site-specific performances to new, alternative locations. As an example I will use Maribor Theatre Festival 2016 (FBS 2016), where I was involved as technical coordinator.
My task was, to coordinate techical realisation of around 30 performances on festival venues. In the text, I will focus on 3 performances, that were somehow unique in their form and brought special challenges to our team.When dealing with technical coordination of theatre festival, one must use not only his technical knowledge and organisational skills but also knowledge of theatre theory, scenography and creative thinking. Problems and situations that happen have to be taken in careful consideration, since they can open new view points and bring solutions to existing problems.

Identiferoai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:387564
Date January 2017
CreatorsGselman, Matic
ContributorsSMOLÍK, Robert, BAŽANT, Jan
PublisherAkademie múzických umění v Praze.Divadelní fakulta. Knihovna
Source SetsCzech ETDs
LanguageCzech
Detected LanguageEnglish
Typeinfo:eu-repo/semantics/masterThesis
Rightsinfo:eu-repo/semantics/restrictedAccess

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