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Leka, ljuga, trolla : En jämförande läsning av August Strindbergs och Ingmar Bergmans konstnärsporträtt i ”Den romantiske klockaren på Rånö”, I havsbandet, Vargtimmen samt Fanny och Alexander / To Play, to Lie, to Conjure : Portraits of the Artist in Selected Works of August Strindberg and Ingmar Bergman

In this essay, I study how the artist is portrayed in the works of August Strindberg and Ingmar Bergman. I compare Strindberg’s novels The Romantic Organist (1888) and By the Open Sea (1890) with Bergman’s The Hour of the Wolf (1968) and Fanny and Alexander (1982). It should be noted that I’m focusing on the film manuscripts (“Filmberättelser”) of Bergman rather than the films.  My aim is to study how the works of Strindberg and Bergman correspond in regards to the artist motif. Strindberg’s influence on the works of Ingmar Bergman has been wildly recognized among scholars and critics for decades, but no extensive study has before been made on the subject of the artist.

Identiferoai:union.ndltd.org:UPSALLA1/oai:DiVA.org:uu-432041
Date January 2020
CreatorsMoa, Marken
PublisherUppsala universitet, Litteraturvetenskapliga institutionen
Source SetsDiVA Archive at Upsalla University
LanguageSwedish
Detected LanguageEnglish
TypeStudent thesis, info:eu-repo/semantics/bachelorThesis, text
Formatapplication/pdf
Rightsinfo:eu-repo/semantics/openAccess

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