The text proposes to descirbe a few conceptual areas associated with the philosophy of technics and media through which it then interprets certain aspects of the role of technics in music. By doing so, it attempts to suggest a framework for understanding the computer and algorithmic musical thought. Reflections on the continuity of human technicity seek to unveil some facets of the digital computer – which can be seen for example as a dynamic cumulation of logical thought. At the same time, the text stresses the role of the composer as an organizer and living interpreter of the computational machine.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:391633 |
| Date | January 2018 |
| Creators | Hejl, Matouš |
| Contributors | RATAJ, Michal, TROJAN, Jan |
| Publisher | Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
Page generated in 0.0229 seconds