This diploma thesis is a follow-up to my bachelor thesis, which
studied the works of director David Fincher in the period framed
by the existence of a production company Propaganda Films, and
also by a common standard of shooting feature films on film
stock. The new millennium then brought an end to the production
company and also, at least for Fincher, the end of working with
film material. Based on the analysis of one significant scene of
each film that Fincher made in the "digital era", I will try to
describe what film language is used when the scene is narrated,
what precedes and what follows, the role of the actors and script,
what style brings camera work and editing. And finally what
constitutes a stylistic specificity of David Fincher's narrative.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:202894 |
| Date | January 2014 |
| Creators | Těšitel, Jan |
| Contributors | VALAK, Radim, BLAŽEVIČ, Jasmina |
| Publisher | Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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