Includes bibliographical references (p. 88-93). / I have produced a series of sculpted cast figures in the medium of cowhide as part of my Masters degree. This document, titled Locating Me in Order to See You, serves as an explication of the practical component. Initially I examine the broad context in which my sculpture has been produced, and that in which it will be presented and likely to be received. In attempting to position myself within Contemporary Art discourse, I have specifically considered how Contemporary Art from Africa is often read and comprehended by both those producing work on the continent and the Diaspora, and those interpreting, critiquing, collecting and marketing it, mainly in the West. The basic premise for this is a discussion of the inescapable labels of Black Artist and Black Art and what they imply within the context of Contemporary Art discourse with reference to Africa and more specifically, South Africa. As an emerging Contemporary African Artist I am faced with confronting some of the stereotypes and assumptions associated with art and artists of the continent and! or the legacy of the Apartheid regime.
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:uct/oai:localhost:11427/8201 |
| Date | January 2007 |
| Creators | Mntambo, Nandipha |
| Contributors | Alexander, Jane |
| Publisher | University of Cape Town, Faculty of Humanities, Michaelis School of Fine Art |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Master Thesis, Masters, MA |
| Format | application/pdf |
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