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Unfolding, Cutting, Hiding, and Reconfiguring: Systems of Desire and Remembrance

The goal of this independent exploration is to present a cogent thesis on the limitations of language and visual representations of anxiety in contemporary art. Using the structuralist thinking of Roland Bathes as a conceptual and theoretical fulcrum, I explore human reliance on semiotics and referents.

Identiferoai:union.ndltd.org:CLAREMONT/oai:scholarship.claremont.edu:scripps_theses-1762
Date01 January 2016
CreatorsFusco, Chelsea Sloan
PublisherScholarship @ Claremont
Source SetsClaremont Colleges
Detected LanguageEnglish
Typetext
Formatapplication/pdf
SourceScripps Senior Theses
Rights© 2015 Chelsea Sloan Fusco

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