Olmec iconography was a product of close observation of the natural world as well as shamanic trance visions. The Olmec transmitted their knowledge of the natural world in their naturalistic imagery and their knowledge of shamanism in depictions of precise ecstatic trance postures and supernatural composite imagery. Inherent to both artistic traditions is an understanding of the transformative processes of both the natural world and of the shamanic visionary experience. Additionally, the Olmec used their carving technique to inform and educate their intended viewers about the performance of transformative shamanic practice.
| Identifer | oai:union.ndltd.org:MONTANA/oai:etd.lib.umt.edu:etd-04162014-105615 |
| Date | 03 June 2014 |
| Creators | Melville, Sarah Silberberg |
| Contributors | H. Rafael Chacón, Valerie Hedquist, Mary Ann Bonjorni, Kelly J. Dixon |
| Publisher | The University of Montana |
| Source Sets | University of Montana Missoula |
| Language | English |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | http://etd.lib.umt.edu/theses/available/etd-04162014-105615/ |
| Rights | unrestricted, I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to University of Montana or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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