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The history and practice of multiple-pitch sonorities on the flute and french horn in Western art music tradition

Thesis (M.A.)--University of California, Santa Cruz, 1994. / Typescript. Includes bibliographical references (leaves 152-155).

Identiferoai:union.ndltd.org:OCLC/oai:xtcat.oclc.org:OCLCNo/649654732
Date January 1994
CreatorsMoller, Polly Louise Springhorn.
Source SetsOCLC
LanguageEnglish
Detected LanguageEnglish
TypeAcademic dissertations

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