This translation and commentary thesis presents a theory of literary translation based on the ideas of Gilles Deleuze, informed by and applied to a translation of parts 0, 1 and 2 of the novel A fuego eterno condenados (1994) by Chilean author Roberto Rivera Vicencio. Using an approach based on the iterative development of a theoretical framework and translation, it examines how specific translation problems from the text can contribute to and benefit from a translation theory based on the ideas of Deleuze. Analysing the work of Lawrence Venuti as indicative of a shift by Translation Studies from thinking of translation in terms of equivalence to thinking of it in terms of difference, the thesis builds on Venuti’s research, offering a systematic treatment of Deleuze’s earlier work to theorise translation as the production of simulacra in which the translator creates solutions in the domain of the Actual to a translation problem that exists in the Virtual. It then goes on to examine Deleuze’s later work, written in collaboration with F ́elix Guattari, to develop a conceptual framework based on the concept of the texture of prose derived from the principles of a minor, or nomad, science. This framework is used to address specific problems arising in the translation, deriving a series of practical techniques and considerations that can be used to create this kind of texture in the application of a Deleuzean theory of translation to literary texts.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:743609 |
| Date | January 2016 |
| Creators | Kelly, James Christopher |
| Contributors | Susam-Saraeva, Sebnem ; Macintyre, Iona |
| Publisher | University of Edinburgh |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://hdl.handle.net/1842/30980 |
Page generated in 0.0021 seconds