The dissertation thesis examines czech literary censorship after 1989. It presents a polemical addition to a monograph published one year earlier entitled V obecném zájmu [In the General Interest], which covered the same period. The main methodological resource is represented by the books of a British theatrologist Helen Freshwater, who based her inclusive model of censorship on the border crossing of hard and soft censorship. Moreover, she moved her emphasis on discourse as the main indicator of what is considered a censor´s intervention in a particular historical moment. The core of the thesis consists of four chapters, which on the basis of the original research examine the typical cases of censorship and related discourse. These chapters are included in a broader frame of a changing notion of censorship and political correctness in the discussed period. The chapter devoted to the banned skinhead music group Braník is based on the examination of the respective court´s files and the analysis of the changing notion of freedom of speech in the beginning of the 1990s. The chapter about the censorship of literature for children and youth is based on the comparison of various editions of books written by Bohumil Říha. Furthermore, the conditions are observed, under which the interventions to these new editions were identified as censorship. Censorship on internet is treated in the chapter devoted to the regulation of the virtual (literary) child pornography, while the chapter devoted to political correctness focuses on texts and paratexts of splatterpunk literature. This doctoral work should offer a complex picture of changing ways of censorship and thinking after 1989.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:316048 |
| Date | January 2016 |
| Creators | SEGI, Stefan |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/doctoralThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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