In her 1982 groundbreaking work on the epistolary form in novels, Janet Gurkin Altman gives a working definition of epistolarity which will be a guiding concept for this project; she defines it simply as: the use of the letters formal properties to create meaning (Altman 4). Of course, to create meaning is a complicated endeavor. How does one create meaning from the letters formal properties? The contemporary authors who engage with epistolarity do so on several levels from the thematic to the structural. From novels that have several characters engaging in letter dialogues to one-sided exchanges that bear more resemblance to a diary than to a series of letters to a correspondent, the epistolary genre pushes the boundaries of public and private and creates questions about audience and intent that are not present in other forms.
Within the last half century, the epistolary narrative has re-emerged in the works of marginalized authors from various linguistic and national backgrounds. Taking tropes from earlier epistolary texts, these contemporary authors create texts that maintain the intimate feel of earlier novels while also changing the genre to demonstrate their knowledge of trauma, exile, and psychoanalysis, an awareness that has permeated Western consciousness in the twentieth century. In the body of this project, I discuss epistolary novels by three very different authors: Gisèle Pineaus LExil selon Julia, Linda Lês Lettre morte, and Amélie Nothombs Une forme de vie. Despite being from different racial, cultural, and socioeconomic backgrounds, these authors share two common interests: the French language and the use of the epistolary form. Additionally, these authors have all had a traumatic experience of diaspora and/or exile that has shaped their development as writers. Using Freudian theories of ego, melancholia, and narcissism, I contend that the self-reflective nature of the epistolary narrative is particularly conducive to exploring the psychological difficulties that result from this traumatic exile. Specifically, in the texts that I examine, writing letters becomes a melancholic act in which the letter writer seeks to reconnect nostalgically with a past that never existed.
| Identifer | oai:union.ndltd.org:LSU/oai:etd.lsu.edu:etd-11122013-175429 |
| Date | 25 November 2013 |
| Creators | Courville, Rosemary Harrington |
| Contributors | Yeager, Jack, Jensen, Kate, Ngandu, Pius, Peters, Rosemary |
| Publisher | LSU |
| Source Sets | Louisiana State University |
| Language | English |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | http://etd.lsu.edu/docs/available/etd-11122013-175429/ |
| Rights | unrestricted, I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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