French Polynesia and New Caledonia are facing an identity crisis in which the lack of recognition of otherness represents a serious risk to the sociopolitical cohesion of these fragile multiethnic and multicultural societies. In order to avoid self-destructive conflicts and to build harmony in the midst of ethnic diversity, an endogenous inclusive redefinition of cultural identities has become necessary. Within this context, this research had a double objective. First, it aimed to ascertain how this quest for recognition of the Other is represented in the emerging literature of French speaking Oceania. Secondly, its purpose was to understand the social and political functions played by the writers of our corpus. In Tahiti: Henri Hiro, Chantal Spitz, Louise Pelzer, Ariirau, Marie-Claude Teissier-Landgraf, Celestine Hitiura Vaite, Jimmy Ly, and B.D Gotz. In New Caledonia: Déwé Gorodé, Nicolas Kurtovitch, and José-Louis Barbançon. In Tahiti and in New Caledonia, the emergence of the self-represented Other, which breaks the mold of stereotypes produced by colonial works and pleads for recognition, constitutes one of the main themes of the literary production by the present generation of authors. These writers perform several key social functions. First, by validating their own culture, which until then had been misrepresented, denigrated, or even denied, they rebuild their self-esteem- the first step towards recognition. Secondly, by transmuting their sufferings into written language, they contribute to a collective healing process. Moreover, most of them challenge the construction of identity founded on the myth of ethno-cultural homogeneity. Indeed, through their work, these writers implicitly promote cultural cross-hybridization or métissage culturel and in so doing, become the architects of bridges between ethnic groups. Of equal importance, in the process of recognition of otherness, women, who comprise a large proportion of the authorship, especially in French Polynesia, have contributed a gender sensitive perspective. This dimension enriches the literature by giving voice, and therefore some recognition, to the other half of the population. In the imaginative function that they are fulfilling, francophone writers are formulating the project of an inclusive society in which the ideal of recognition of otherness transcends the borders of ethnicity and gender.
| Identifer | oai:union.ndltd.org:LSU/oai:etd.lsu.edu:etd-06032011-002259 |
| Date | 06 June 2011 |
| Creators | Lenglare, Didier |
| Contributors | Stone, Greg, Chicoine, David, Yeager, Jack, Bongiorni,Kevin, Egea-Kuehne, Denise |
| Publisher | LSU |
| Source Sets | Louisiana State University |
| Language | English |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | http://etd.lsu.edu/docs/available/etd-06032011-002259/ |
| Rights | unrestricted, I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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